The nature of friendship has been the subject of my musings of late, and a discussion on the theme with an old housemate led me to recall an experience from almost 15 years ago.
I had made a financial mistake.
I’m still not sure exactly what it was, but I think I subtracted one from the tens side rather than a two, or a three, or a nine, and it plunged me into a week of chaos.
I realised it right before I was due to head off for a weekend away. I did the sums in my head and, to my horror, discovered that not only had I bounced a cheque to my housemate, but also that until Friday morning, I had not a penny to my name. Actually, that’s not quite true. The cup of change by my bed had about £1.74 in it.
In hindsight, that seemed fitting. For about six months, I had been doing a temp job that barely paid me above minimum wage. This was good because it taught me how to live in London on what was essentially an ox’s salary. It was bad because, well, stuff is expensive in London. There had been times of such intense poverty that my breakfast, lunch, and dinner consisted almost totally of the free biscuits and coffee at work.
But I had just taken on a new part-time job, and even though it hardly made me rich, it was certainly a welcome step up in salary. I was starting to imagine what it would be like to live as a normal human being. It was something I had been looking forward to: a job with a living wage. I was so close.
My first payday was to be that Friday. I somehow had to make it four days until then. One last week of being one of the great unwashed.
I did an inventory of what I had to survive one week. The list read something like:
£1.74 in change.
A handful of winegums. (Not even Rowntrees … some cheap brand!)
Half a box of cat food.
Endless cups of hot coffee (courtesy of work).
One package of digestive biscuits.
That was it. I had no money for a travelcard, so after work Monday, I headed out into the cold London evening and walked from Russell Square to Hendon, where I lived at the time. I’d always been curious how long it would take me to walk that far. This was as good a time as any to find out.
One of my favourite books when I was younger was The Long Walk. It was written by Stephen King under his Richard Bachman pseudonym, published decades after it was written (when King was still in college, which is just depressing). It concerns a competition in the “not-so-distant” future in which 100 young men simply begin walking. They are required to walk a minimum of four miles an hour. If they go under four miles an hour, they are given a warning. They have an hour to walk off the warning. If they receive a fourth warning, they are shot.
There are stilted political implications in the story, though I can’t for the life of me remember what they are. But the story fascinates me still. I mean, it’s simply walking. Anybody can do that, right?
From my workplace in Russell Square to where I lived in Hendon is, according to Google Maps, about seven miles. Not an overwhelming distance and, as I mentioned, I’d been curious about walking it anyway. This final week of poverty seemed like an ideal time to finally go forward with the experiment. So, after a long day at work I packed up my bag and turned onto Great Russell Street at 6:02 p.m.
I walked fast. It was exciting, really. Why don’t people do this all the time? Up, up, I went, along Eversholt Street, past Euston Station, past the Koko nightclub and Lyttelton Arms, through bohemian Camden Town with its weird and wonderful people, past Stables Market and Cottons Rhum Shop, and into Chalk Farm. I moved at a steady pace, passing all the office workers and meandering shoppers. It was I who could not be stopped; it was I who was on a savage journey. Four miles an hour? Please. I’d double that, backwards, blindfolded, walking on my hands.
Belsize Park is an area of London where I have spent much time (I later worked in the area for five years), but I have never really understood it. An old girlfriend lives there, and, like her, everything is a little too precious. I had barely been back to the area since we’d parted ways, and I was reminded why; people in Belsize Park can make you feel like you don’t bathe often enough, like you’re this swarthy minion swooping up from the city’s underbelly, lurking in to sully their happy, lily-white pseudo-suburbia. The whole area makes me want to drink six cans of some cheap, nasty lager, and then fart. Preferably in a crowded Starbucks.
That said, when I walked past Tapeo, a lovely tapas restaurant where the ex and I had spent a lot of time together, the pangs of envy were overpowering. Nobody here chooses what they have for lunch simply on the basis that it’s only a pound-fifty.
Plus, my feet were starting to hurt. I’d noticed it as I went past the Sir Richard Steele pub, which, all considered, isn’t bad. But I was only three miles into my journey and had another four to go. It was 6:47. Not bad time, I thought, but a pace I was unlikely to keep up.
I felt the blister just after going past the Everyman Theatre. I walk on the backs of my feet, something you’d think would help my posture but doesn’t. Right there, on the base, right under my ankle, it started to swell. I kept wondering if it would squish as I moved forward, soaking my sock. But it wouldn’t. Just a squersh, squersh, squersh, as it shifted with each step. But, nevertheless, on I walked. I had declared to my housemates that I would make it back to the house by 8 p.m., and time was wasting.
Through Hampstead, down past Queen Mary’s House on the western side of the Heath (7:23… good pace still) and into Golders Green with its kosher butcher shops and Middle Eastern restaurants.
Speaking of which, it occurred to me that I was starving. I hadn’t eaten all day, which, sad as it is to say, wasn’t that highly unusual a situation for me as it probably should have been. But I was expending energy now, starting to slow perilously toward that 4 mph threshold, and it was beginning to look like calories might not be as wretched as I’d always believed. But the compiled change (up to three quid now!) in my pocket was to be used for tomorrow’s bus rides. No food could be had.
It dawned on me that I was a complete idiot. When people heard that I was broke for the week, I received a surprisingly high number of offers to help. Here, Dave, let me order you a pizza; hey, what’s your bank details? These entreaties were kind, warm-hearted, and downright touching. But, to me, they missed the point. This was a test for myself, one last week of struggle, something to never forget, something to put in the pocket of an old coat and discovered years from now with a fond smile. This was a project. This was life as art.
As I trudged up Highfield Avenue toward Brent Cross station, six miles into my journey, “life as art” was starting to look like a tremendous load of bullshit. I was hungry, cold, and, to my alarm, my calves were starting to cramp up. But, at this point, what choice did I have? I couldn’t exactly waste the whole trip by hopping on the Tube now and wasting valuable pennies. I had to make it home. Wait… is that a hill? Jesus! When did we get hills around here?
If I had been in the Bachman contest, I would have been shot somewhere around the Brent Cross Flyover.
But past the shopping centre I went, almost home now, so close. In the distance, my house. I glanced down at my right shoe. The sole of it was flapping aimlessly. “Come on, matey… hang in… almost there.”
I put my key in the lock. I heard a “Wow!” from one of my housemates. “We weren’t expecting you until 9, at least!” It was 8:11.
Weary, I forced a weak grin. I wanted to curl up on the sofa in front of the telly, and not think about how hungry I was. I shuffled to my room, peeled my shoes off, crowbarred my socks onto the floor, and shuffled back. My housemate, to whom I had accidentally bounced the cheque that had started this whole mess in the first place, was standing outside my door.
“Dave, do you want some food? We made you a pizza.”
They had. It was most wonderful.
This week wasn’t even half over. And all it took to wear down my “I don’t need help, this is for me, I must prove myself and remember and make it last” was an oven pizza and two warm housemates on an old battered sofa, administering a Cosmopolitan mag quiz (“What Kind of Lover Are You?” I think it was), huddling up in blankets, staying safe.
Because your friends, the ones who are there for you, they would have no place in the Long Walk. If you slow down, they don’t shoot you. They crouch beside you, offer you their shoulder, take your arm gently, rub your back, and tell you, “I’m here.” Then, once you’re up again, you carry on down the road, together, scarred but stronger, ready for the larger, fiercer battles ahead.
For some reason, when I talk to friends from home about London they all ask me about the parties. Without fail, anytime they call me before noon on a weekend, they’ll say, “Sorry to call you so early, man… I know you were probably out last night.” This is partly because I’m an alcoholic, of course, but they seem to overstate my ambitions.
Chances are, more likely, that I went to bed at 11 after heading to the local pub by myself to sit in a corner and read the new Haruki Murakami book. But they don’t get it. They’re aware there are plenty of parties here, but they never seem to understand that they rarely involve me.
I’ve always been slightly uncomfortable at parties and large gatherings. (I’d say I’m more of a one-on-one person, but I’m not really that either.) True, I’ve got better over the years, but something about them has always bothered me; I arrive, and everyone is already having fun, like they didn’t even know I was coming (had they known, maybe they might have toned it down a bit). It’s like coming into a room just after someone has told the best joke, the type of joke they’ll keep referring back to the rest of the evening. Everyone’s laughing their heads off, hee-hee, ha-ha, and they’re all in on the joke, enjoying it together. Except for me.
The more banging the shindig is, the less at ease I am. Especially when people are dancing. I’m not big on dancing. At least, not in public. At home, in private, I dance along to whatever music is on with total abandon. But ask me to dance in public and, yes, I will try, maybe even give it my all and everything, but in the end I really just move from side to side. Occasionally, I can fake it, especially when I’m out with people who can’t even do that – they either look like a chicken pox-infected person having an epileptic fit while being struck by lightning, or they look like a 10-year-old who really has to pee, standing straight up, hopping ever so slightly, eyes dodging around everywhere, hoping nobody notices. It’s highly amusing, to be entirely honest.
To these guys, because I was usually drunk and throwing myself around with little regard to propriety or safety, I could dance. But to the general public, the people who actually dance for fun rather than dancing because their alleged “friend” shamed them into it so he could take pictures and mock them, I’m a disaster. I jump around like a moron, move my hands wildly left to right and eventually morph dangerously into a shimmying, jiving “Walk Like an Egyptian” movin’ fool.
It’s horrific. I’ve had two ex-girlfriends actually refuse to go to any kind of dance club with me. I remember one of them used to drag me along for one purpose only: to hold the table and make sure nobody stole the bags and beer while she and her friends were all dancing. I usually tried to remember to bring a book.
I’m not sure why it is. I consider myself quite a sociable person. But when you’re at a huge party with people bumping into one another and no more than negative-6 inches between you and some 7-foot-tall fella with a lot of body hair who’s sweating out the average rainfall of the Amazon Basin all on his own, you tend to become a bit withdrawn.
Inevitably, I end up playing Pinball with the crowd – for some reason, I insanely insist on saying “Excuse me” and “Sorry” when I bump into someone at huge parties, which only happens every half-second – and ricocheting outdoors, where I sit in the corner and try to siphon off a cubic foot of space in case there’s a fire or something. Intermittently, I’ll start laughing out loud at nothing in particular, in case someone is planning on punching me and needs to be scared off by an appearance of insanity.
If someone I know comes by to say hello (or, more likely, to ask me a question about computers), I’ll make some kind of joke about being knackered from all the booty-shakin’ then wait the requisite 10 seconds – tops – until they notice some random person in the crowd, yell “Anna! Hi!” then scamper off. Then I go back to my random laughter.
And that is how I party.
Went to a party last Saturday night (Didn’t get laid / I got in a fight / Uh-oh, it ain’t no big thing. Sorry… I couldn’t resist that one!). Actually, it was a few weeks ago and it was actually more than a party. To me, it was a “rave,” you know, like those underground parties you only hear about through some secret network. (I was later told that it did not actually qualify as a rave. I’ll let you decide.)
Now, I should have known that I’m getting too old for this shit, but the whole “rave” thing, with all the “kids” “raving,” “having fun” and “enjoying” their time at a “rave” was a new experience to be had, so I was willing to give it a shot. I’d never been to such an event before, and well, I’d heard a lot about them, and, shit, they seemed totally crazy. A mate of a mate was going to be DJ’ing, and they were much cooler than me, so I figured, if just by osmosis, maybe I could have a good time.
We arrived, and I noticed straight off that this thing was going to be a struggle. Everyone was all decked out in what I decided was “dance” garb, or they weren’t wearing much at all (one girl, clearly under the influence of some kind of stimulant – probably coffee – danced topless with black stars painted on her nipples for what seemed like several non-stop hours; later on, she was lying down, staring at the ceiling, eyes wide wide wide open, and I was scared shitless because I briefly thought she might be dead and had visions of the coppers showing up and arresting us all). They were all grooving around in a trance, dancing with each other and themselves, oblivious to anything but the beat (that beat, that incessant beat). But… they were serving good rum at the bar.
I legged it to the garden outside, finagled my way into the corner and sat down. I got up once, waited half an hour for the bathroom, left the loo, realised I had to go again and stepped back in line. Another half hour. Back to the garden, save for a quick stop at the dance floor, where some guy (I swear) was digging his fingernail into his cheek. I stayed at the garden from then on before calling a cab and making my hasty escape. If you saw me, it might have looked like I was dancing for a moment, but I just tripped on a rock.
I’ve been thinking of having a party recently. Maybe I’ll invite all those friends from home, show them what a real London party’s all about. Of course, it’ll just be laughing to myself and tripping over rocks, like always, and it’ll be extra tough to do that “Anna! Hi!” trick, since, well, I’ll know everybody there. Probably won’t work.
Maybe the only person I’ll invite is me. And the neighbour’s cat. I think the cat can come.
I shoved a guy the other day. It wasn’t a push. It was a good, old-fashioned, solid shove, a violent explosion, inner rage pouring out that I didn’t even know was there. It was like putting an empty coffee mug in a microwave and watching in shock as, somehow, water boils over.
He was just standing there. I was exiting the Tube, heading into London to meet some friends. I was carrying a novel in my left hand, and reaching for my mobile with the right. He was directly in front of me. Then, as he reached the last step on the exit out of the station, he just stopped. I don’t know what he was doing. Maybe he was a tourist, confused about where he was going. Maybe he realised he’d left his iron on. Maybe he just decided to pause and drink in a gorgeous day. But he stopped, right in front of me.
Now, people not from London don’t really understand this sometimes, but here, stopping in the middle of the pavement is like someone braking their car in the middle of the motorway. Here, our feet are our cars, and we apply the same rules of the road to the sidewalk. As frustrated as you get when someone cuts you off in traffic, that’s how we feel when someone pauses suddenly to answer a mobile, or makes a snap decision to head toward the Starbucks on the opposite side of the street, or so on. I guess I’d call it Walk Rage.
And this guy just stopped. And I lost it. I pulled my arm across my body to my right side, put my phone back in my pocket, and just waylaid him with my left arm. I had some force behind me too; he almost went barreling into the newsstand set up just beside the station exit. My motion was punctuated with a fierce, involuntary, “OH, FOR FUCK SAKE… WATCH IT!”
He was a smaller Asian man, I was now noticing, probably about 40, with greying hair and a pair of bright blue shorts.
He plunged forward with an audible “Oomph.” He looked back at the source of this strange velocity. His eyes met mine. He did not see a sensitive, island-boy-turned-Londoner, empathetic guy, someone who just tries to get along and go along, an amiable sort always trying to make everyone feel comfortable, the guy cracking jokes at just the right times, the guy who calls everyone “Ma’am” and “Sir” in a slightly joking but still sincere attempt at mock formality, the one who calls his parents three times a week, the one who just wants everything to be OK, just let it all turn out OK, please please.
He saw a snarl and a twisted mouth, spitting, “Idiot! Move!”
He yelled “Arsehole!” I muttered, now somewhat embarrassed, “Yeah, yeah… Fuck… whatever!” before storming on my way.
Moments later, I was feeling really bad about the whole thing. It just wasn’t me. The poor guy certainly didn’t do anything to me (although the stopping-suddenly thing IS quite annoying!) and this is no excuse at all, but… I’ve had a pretty hectic and stressful summer, trying to juggle several tough work projects. And the last couple of weeks have been particularly difficult.
Now… I’m typically a pretty easy person to get along with, yes, but mostly, I’m a licensed pro at avoiding conflict. If I can sense it coming, I’ll change the subject to something happy, something we can laugh about, smile about, think fondly of. I’m so good at it, typically, that you can’t even notice I’m doing it. Just as soon as they were brought up, unpleasant topics are paved over and smoothly shifted to the next topic, maybe football, or that one movie we saw, or remember that time, when we were in the park, that was great, wasn’t it?
I once went out with this American girl who I thought I might marry, before we split and she married someone else, and never spoke to me again. Even as she was leaving, I didn’t fight. I didn’t scream, or stomp off, or tell her she was a bad person. I tried to be mature, and compassionate, and understanding, and then next thing I knew, she had no real compelling reason to stay, because I’d steadfastly refused to give her one. That’s how far I’m willing to take it. I’ll suck it up if it means avoiding a yelling, nasty tussle. I can take it.
But sometimes the pressure does get to you. You end up feeling alone, vulnerable, and wiped out at times. That’s when you snap, and fights happen. We’ve all been through them, and I’m becoming worse at avoiding them as I grow older.
One fight with a colleague (I use that term quite loosely – we work in the same place but we certainly don’t work together) was about nothing, really; they usually are. But she was being unreasonable, as usual, and said something that made me feel unappreciated, isolated, awkward, empty… Once she’d left my office, I reacted by pounding my fist into the wall. Then my head. Then I grabbed some papers off my desk and threw them across the room. Then I went for a walk.
Sunday afternoon, I was supposed to write this column, and then meet a friend of mine for lunch, then get some more job work done, run some errands, and maybe even take a walk along the South Bank, one of my favourite ways to spend a beautiful Sunday afternoon, which this was.
But I couldn’t get off the sofa. I was out of it, and emotionally spent, and had not an ounce of energy to do anything but just lie. There was some sport on. The US Open. Soapdish, on Comedy Central X, with all the swearing edited out. Some movie with Alec Baldwin and that guy from Gosford Park. I had Chinese delivered. I took a nap. Outside, kids were playing, and people were having brunch, and lying in the sun, and working, and writing, and living, and all the shit I came here to do. For the first time in a while, I simply stayed in, all day, and just watched TV and napped, alone.
I was just so tired. So, so tired.
I do not know what is happening to me. I don’t know if my job is making me hard, or angry, or bitter, or just too exhausted to think. But I do know I don’t feel like myself anymore. I don’t know what I am anymore. I’m maddeningly inconsistent. I don’t know what’s caused it. I don’t know when it happened. And I’m not sure what to do about it.
But I think I kind of miss me. The way I used to be, whenever and whatever that was. Now that I think about it, I might not have been that bad.
Recently, I’ve been asked by a few people what advice I would give someone who wants to be a writer. They assume because I have a blog and once, as a full-time journalist, I wrote for a living, that I ought to be able to tell others how to do it. It’s a fair assumption. But the truth is, I’m still and always learning!
Asking me how to write is like asking directions from a blind man with a guide dog; I don’t know how to tell you the way to get there. I just follow the dog.
That said, here are a few tricks the dog keeps trying to teach me.
First, write about what you know, the thing that’s right in front of you, the thing you’ve been given to write about, the thing you can’t seem to get off your mind. Read a lot and, in particular, read everything you can find by the writers you like best; if you like them, it’s probably because their voice speaks to the voice in you. Develop that voice. It’s yours.
Write like yourself, the way you talk. Read what you’ve written out loud. If it doesn’t sound like you, rewrite it until it does. Learn the rules of writing and stick to them a long time before you dare start messing around.
Write between the lines; say more with less. And be prepared to suffer, not because writing invites heartache, but because it always insists on examining it. Never pretend to be what you aren’t, or to know what you don’t know. That applies more to life than to writing, really, but the two are not so different. And as for inspiration, I don’t need it to write. I just need a deadline. It’s the surest cure I’ve ever found for writer’s block.
If you want to write, if you feel called to do so, you should. And you will. Maybe you won’t earn a living at it. Few writers ever do.
But you can write cards to encourage the downhearted; and notes of condolences to comfort those who suffer loss; and crisp, compelling business letters that clearly explain why the item you received was not the item you ordered, and what exactly you will do if you are not reimbursed. You can write job applications and memos to colleagues and letters to the editor, or to your MP, or to God, to shed light and right wrongs and make the world a better place, or at least, to get stuff off your chest.
You can write for posterity the stories your grandparents told you, stories that will be lost if you don’t write them before you die.
You can write love letters to your children or to anyone, really, to say all the things that you could never say with your mouth.
You can even write in a diary or journal, if you are so inclined (and a lot more disciplined than I am) to get to know yourself better.
That, of course, is the real reason we read and write — to know and to be known. It has been that way a very long time and I expect it always will. It works like this:
You take thoughts and feelings from your mind and your heart, and occasionally from your soul, and you fashion them into words.
That is called language.
You put the words on paper, or perhaps on a computer screen, using lines and circles, marks and symbols, until you trust them to carry your meaning.
That is called writing.
Then someone — who perhaps has never seen your face or heard your voice — sees your lines and circles and symbols and marks, and recognises them as words.
That is called reading.
Sometimes, unpredictably, the words hold the power to recreate the writer’s thoughts and feelings in the mind and the heart and even in the soul of the reader.
That is called communication.
Some do it for love. Some do it for money. And some of us, if we are lucky, get to do it for both.
And that’s where I will stop for now. The dog has gone to sleep.
Sadly, over the last few weeks, all my writing has been of the business type, with reports, proposals and budgets stealing away my precious creative writing time, even on weekends. I’ll be back soon, but just for you, my readers, here is one of the many poems written by my Dad:
THE DEATH OF A BUG
Did I kill him because he was a dot?
Trespassing my page
his way home?
I resented that he lived in my mattress.
Yes, that is what it was
so I punctuated
his (or her) life
It was easy to stop this roving period
his fingered sky falling
through his graphic dash
His life is now a closed chapter.
He seemed so busy then.
His running, like mine
must have been important.
I usually write this blog at home, sitting in the living room in front of the telly. This one is being written over several days in various outdoor places. As I write now, my internet connection has been down for 10 days, two hours and 17 minutes. (That’s why there was no blog last week. Sorry!) Since I’ve got out of bed this morning, I have not read an email, or visited a Web page, or downloaded a song, or sent an instant message. I am coming to you live.
It is just me. Just a guy with a disconnected laptop, lounging on a deck chair in Hyde Park, alone. No little windows will pop up with a friend wanting to chat. No emails telling me how to artificially extend my penis. No bad news about the economy and Syria and reality television. An argument could be made that this is as undisturbed an environment as I have seen in years.
And I hate it. I can’t breathe. I am lost. I am a man without identity.
Here under the trees near the Serpentine, I have set up my outdoor space to reflect my online world. I am speaking to no one. I have put on my music, as loud as is acceptable, and tuned out. There are other people around, but I will not speak with them unless absolutely necessary, even the really attractive ones in hotpants — say, if one of them is on fire or about to eat something poisonous. I made a deal a long time ago that my writing self would be different from my real self, and this deal has required me to make some sacrifices. Social skills were the first to go. Talking no longer happens. I spend a lot of time online for reference and research, so when I am writing this blog, or poetry, or a few pages of what I hope will someday be my debut novel, I am no longer David. I am simply my online identity.
When I am writing, I will only communicate online as well. And I write a lot. So there are these people… people with whom I have discussed particularly memorable past sexual experiences and debilitating hangovers and illicit substances, all on Facebook messenger, or via e-mail and text messages, or over MSN and BBM… these people, I’m not even sure I would recognise their voices.
Watch! Watch! Watch as my tentacles spread throughout the country and, lo, the world! Here I am in London — and now I am in Edinburgh! To New York! To Australia! To Mali! I am everywhere at once. Ding! A missive from Italy! Allow me to join you, weary traveller. I would stay longer, but I must go to Spain! There is sun there, but I have not the time. I am everywhere, but not too long, because there is more and more and more. And it all comes with a soundtrack of my own choosing. Do I want the Stones to accompany me on my journey? Vivaldi? Ella Fitzgerald? How about Bob Marley? Wait, I don’t have the new Jay-Z/Kanye album? Click-click-click-woosh… now I do! Where to next? Where to? And on and on! And on!
And it is now gone. The Internet is down. What the fuck is the problem anyway?
Who am I if I am not an MSN handle? If I am not intothenightlife, what is it I have become? My link to the world, where people create and envision and dream and hope, it no longer exists. It is a Microsoft Word file, empty, cursor blinking, taunting me, type, type, here, no one can here you scream, your life is a vacuum.
Back home… I am venturing to the bathroom. On foot. Shit, remember when I used to shower and dress nicely every weekend morning? I am wearing the only clean t-shirt I have left, and I have not shaved since Tuesday. My head has indents in it, in the shape of the headphones, and my face is pallid, empty … but yearning. I must get back. There is no time. I must get back to my laptop. Perhaps the Internet has returned! Perhaps we are back on the road! Perhaps I am me again!
We are not back. The Internet is still down.
BT has sent around an engineer, an IT gentleman. It is his job to fix this problem. He is from Ireland, has curly brown hair, wears an earring in the wrong ear, and stands about five-foot tall in heels. He looks like a particularly butch Premiership midfielder. He is a nice guy, jovial, upbeat, hopeful. I bet he talks to his parents weekly, at least. He likely has a dog who follows behind him, and licks his face in the mornings, and fetches his slippers. He pays his bills on time, loves TalkSport radio, and smiles and says, “’Ello mate!” to the newsagent when he buys his Sun newspaper every morning. He is telling me he cannot help me. Right now I would like to rip his fucking face off with a staple remover, slowly, meticulously snipping at the edges of the cheeks, under the chin, around the ears, fftt fftt fftt at the hairline, nice little clips all around, and then, yes, we’re ready now, YANK, splurt, splash, all that’s left is a skull with some wet flesh and that earring attached. (So sorry… I watched Red Dragon the other night!) I hope his eyes stay in their sockets. I want him to see what he has wrought.
Help me. I’m lost. I am a broken man, a ghost, a shell, a dead desiccated oyster buried under dry sand. A character in search of a play. A camel in search of a desert. A bone in search of a dog. I have been out there for so long, hiding from the rest of you so well, that the shakes are uncontrollable. Perhaps a drink of water. No, no, what if it comes back while I am gone?
I don’t know what to do. Maybe I could look through old screen shots. Yes, yes, my Microsoft Explorer, if I shift to offline mode, has saved some sites I visited a few days ago. Ah! It’s a Google search from Thursday! A preview of last night’s game! (Didn’t quite turn out as predicted.) Oh, look, it’s a story by a friend of mine — by friend, I mean an email address halfway across the world which belongs to a body I have not met — on a spunky little independent Web site. That story was funny. Remember that story? Remember when you read that last week, intothenightlife? Oh, those were the days. Such memories. Such great times.
Ah, but I am hungry, and I must find more sustenance. Regurgitation will not suffice. The big dog must eat. Connecting to server… connecting to server… connecting to server… sweet heavens, can’t I just connect? Help me connect. I need to connect. I am nothing here. I have no leg to stand on.
Help. Help. Yelp. Yellow. Yemer. Yemen. Now is the time for all good men to come to the aid of their country. A rat in the house may eat the ice cream. Algebra. Trigonometry. The unbearable lightness of being sad I miss the comfort in being sad two’s comfort but THREE’S A CROWD! THREE’S A CROWD!
Wait, wait… wahey, check it out… what’s that… the Internet’s back! The world has opened again! OK… see you later suckers!
I can hit my head against solid surfaces and objects really, really hard.
That might be perceived as a flippant statement, maybe a little in-joke you don’t get, or a philosophical metaphor for the struggle of the human brain to fathom the weight of existence. It is neither. I’m simply telling you: I can bash my forehead into things, and it doesn’t really hurt.
I first noticed this ability in primary school, where such God-given talents are usually discovered. This might come as a shock to you but, in primary school, I attempted to make up for my inadequacies and insecurities about girls by brazenly attempting to attract attention to myself. My early, crude attempts involved armpit noises, blotches of ketchup smeared dribbled down my chin to simulate blood and, until puberty hit, impersonations of Mickey Mouse’s voice. None of these seemed to go over well.
Then, one day, when I was trying to make Suzie Johnson laugh on a bus ride home from school, I took my spelling book and bashed it against my face. Suzie had been telling me she was having trouble with spelling, how she just couldn’t get the letters in right order, how she just couldn’t make the words fit right in her head, no matter how hard she studied. I had a word-a-day calendar at home, and I’d recently learned osmosis. I told her she should just try to put the book to her head, or maybe sleep on top of it, and perhaps it would all just seep in. “Check it out,” I said. And then…WHAP!
The reaction was immediate. The eyes of the entire bus locked on me. Joy, the bus driver who had known me since kindergarten, mistakenly thought I’d hit Suzie with the book and made me do the walk of shame to the front of the bus, sitting directly behind her, like all the troublemakers. I told her I didn’t hit Suzie; it was my own head I’d hit. To prove it, I smacked myself with it again. “David!” she exclaimed. “Why on earth are you doing that?” Everyone on the bus was still staring at me. I had their rapt attention. It was exhilarating. Their looks answered Joy’s question, easily.
After that, I honed my talent into an art form. During lunch, I’d gather friends around and let them take shots at me with the cafeteria trays. It became rote to walk into doors face-first and then fall back dramatically, pretending I was in agony before breaking a smile to let them know that, no, I was fine. At parties, I would ask a girl to dance, and if she said no, I would ram my face into the wall. Sure, they were horrified at first, but after a while, they were simply repulsed. It never failed to get a laugh from my friends, and it got everyone talking about me, and, really, that’s all I wanted.
Eventually I even trained myself to take repeated shots, usually against some sort of table, a woodpecker-type motion: WHUP-WHUP-WHUP-WHUP-WHUPWHUPWHUP! My all-time high was 16 in a row. Even I started to get dizzy at about 14, though that was more because of the quick downward thrusts than anything else.
The years passed, but this skill never waned. As I got older, alcohol entered the equation, upping the ante. Oftentimes, toward the end of the night, everyone would gather around, making sure their glasses were off the table, and then watch Daring David’s display. Alcohol made me somewhat cocky, though, and a couple of times I would come up with rather large cuts in my forehead. It still never hurt, though.
It even comes in handy at work. When I’m having a particularly bad day, or just had another conversation with on of the resident idiots, I can quietly retreat to my office, close the door and use my head to perform a slow, rhythmic beat on the desk.
We all have a little talent like this. One friend can say words backwards as easily as he can forwards. (Palindromes make his nose bleed.) Another can rattle off the names of every ’80s rock band member, with instruments. One can bend his fingers the wrong direction so that they touch his wrist. I’m sure you have one too. Mine just happens to be a resilient forehead. My talent’s advantage is that it makes a loud noise, and sometimes leaves a rather frightening welt. Maybe it all started at the age of three, when I fell and busted my head against a stair, receiving a permanent scar on my forehead, but I feel like kind of a tough guy; sure, I can’t lift a pair of dumbbells without busting a blood vessel, but I can take as many head shots with a flat object that you can muster. There should be some sort of Strongman competition for this. Or maybe I should go on Britain’s Got Talent… or Jackass.
Of course, um, I’m in my late 30s now, which means I rarely perform anymore — or at least I try to limit my performances to the right moments. I usually don’t call people over anymore. I’ve found more subtle, quiet ways to make sure everyone around pays attention to me now. But when the right moment comes, almost always at a bar, I’ll pick my spot and just lay one down. The trick now relies more on the element of the unexpected; maybe we’ll be discussing politics or something, and someone will make a point I hadn’t thought of and have no instant response or comeback to. The debate has been lost. What better time? WHAP! WHAP! WHAP-WHAP-WHAP! After that, people tend to forget whatever it is we were talking about. I know I do.
Look! I can even do it against a keyboard! Fgo iftp uit eca etrffvm,frf4vrfvk gjuhhuyyhuddyt dytduy7y8t7t6t67.
All right. I’m done here. I think something just haemorrhaged.